Works
  • Eris Silke, Cracked Doll, 2026
    Cracked Doll, 2026
  • Eris Silke, Lady of the Lake II, 2025
    Lady of the Lake II, 2025
  • Eris Silke, Sigmund Freud, 2025
    Sigmund Freud, 2025
  • Eris Silke, Lady in a Box
    Lady in a Box
  • Eris Silke, Untitled, 2023
    Untitled, 2023
  • Eris Silke, Goldilocks, 2026
    Goldilocks, 2026
  • Eris Silke, Lady of the Lake, 2022
    Lady of the Lake, 2022
  • Eris Silke, The Doll Factory, 2022
    The Doll Factory, 2022
  • Eris Silke, Lady with Sad Eyes
    Lady with Sad Eyes
  • Eris Silke, The Recluse, 2013
    The Recluse, 2013
  • Eris Silke, Frogs
    Frogs
  • Eris Silke, Sensitive Lady
    Sensitive Lady
Overview
"Painting for me, is like lying in the sun." - Eris Silke, 2026
ERIS SILKE, BY LLOYD POLLAK
Eris Silke is an ex beauty queen of Israel, who never married a millionaire as her mother so wanted her to do. She has lead a troubled life, but psychoanalysis has been of assistance which explains her insightful portrait of Sigmund Freud which is one of the glories of her canon. Eris's subject is almost always herself.
 
Nearly all her paintings are self-portraits. But they transcend their source, introduce far wider issues and acquit her of any charge of narcissism.
 
Her breathtakingly beautiful face with its clear blue eyes, pale skin, exquisitely chiselled nose, Cupid's bow mouth and long flowing blonde hair are surrounded by roses, blossoms, lace and veils that projects us into a world of intense femininity and glamorous fairytale and fantasy. But it is not the benign world of Hans Christian Anderson, but rather that of the brothers Grimm with its oppressive Teutonic atmosphere of cruel ill omen. The slithery, bloated, ulcerous toads nestling so close to her fair skin form a startling contrast to her resplendent beauty and obviously represent something deeply loathsome and evil. One instinctively recoils from any contact with them, yet Eris seems serene and accustomed to their nestling on her shoulders for, as we shall see, they have done this forever. 
 
Often Eris seems to be in jeopardy and she portrays herself in a doll-like guise - limp and expressionless - to stress her lack of agency and control over her destiny. In 'Lady in the Box' Eris is being carried off as loot by a stalwart warrior in period costume who will probably rape her or sell her into slavery. In 'Untitled' a great hulking brute of a man approaches her from the rear with obviously evil intent. In so many of her works like the two paintings of the 'Lady of the Lake' , Eris appears to be the helpless sacrificial victim of unknown forces in a malign universe.
 
Such images are deeply mysterious and the danger that threatens Eris is suggested, but it is never precisely defined. Obviously the toads, soldier and caveman represent something other than they are. They are mere stand-ins symbolizing far darker forces. If this is not so her paintings are meaningless and merely fanciful illustration. There is an atmosphere of impending doom and it the critic's duty to define exactly what disturbs Eris.
 

Eris, the child of two holocaust survivors, was raised in Israel, and as a child and teenager she must have become familiar with all the horrors that her parents had endured. Even if they attempted to conceal and not speak of the sufferings that they had endured these things taint the atmosphere and make themselves felt in obscure ways. The Holocaust victim is deeply maimed and their psychic wounds come to the surface in all sorts of different ways.


Growing up in such an atmosphere, fear and anxiety became her constant companions. Thus the sinister tenor of Eris's work can be seen as an after-quake of the Shoah, the traumatic impact it had on the post-war generation who never lived through it, but became obsessed by it. Her portraiture provides distant echoes of the murder of the 6 million, and it is the contrast between the fairy-tale beauty of the style and the horror of its hidden content that gives her work its magnetic power.

 

Eris is completely self-taught and in her case this has proved an immense benefit. She blazed her own trail and her work is unlike that of any other artist - something completely original and unique.

 
Biography
ERIS SILKE, BY ROBYN LIDSKY
Eris Silke the artist was born in 1947 in Transylvania, Romania. As elsewhere antisemitic 20th century politics saw Transylvania's once sizable Jewish population greatly reduced by Holocaust and emigration. In 1950 Eris's parents joined the fold, having survived the Holocaust, they moved to Israel in 1950.

At the tender age of 5 Eris started drawing and fell in love with the application of pen to paper. An introvert by nature, she spent her childhood in the cocoon and fantasy world of the public library. Here, many of the early Israeli pioneers had translated the most graphic and grand works of fiction into Hebrew. Amidst the conjured characters incarcerated in the great books of German and British literature she played; her imaginary friends and the playground of her mind the confectionary of Victorian times. In her own words, "I was living in Victorian times in my mind." 

 

This influence is evident throughout her grotesque sometimes horrifying, always heavily romanticized works of art and their fashion laden leaders. Plush medici collars, puffed out shoulder pads and embroidered corsets weave their threads throughout the tapestry of her works.

 

At 17 Eris Silke won a beauty pageant and became Miss Israel. At 18 she left Israel for the first time to California as the Israeli representative of the Miss World beauty contest. She made the 15 semi-finalists.

 

After the competition she had to go to NYC and was put up in a hotel only for women.

"They put me in a tiny room on the 24th floor and it was terrible. I was not outgoing enough to have any fun. When I returned to Israel my mother questioned me as to why I did not come back with a millionaire or win the beauty competition. She was angry that I did not come back with any money. I finished my schooling and I went into the army. I was not confident and my best friends were already officers - I was behind in their timeline, having left Israel for the Miss World pageant. I was not the right person for the army and I was placed in Nazareth to file documents."

 

"After a while, I received a beautiful letter from a headmaster at a teacher training college. He was an eccentric and used to read poetry. He had a nose job and wore a wig. I thought he was my soulmate. We got married."

 

"The marriage was fraught with difficulty, him being in his thirties and me 18 and a half. He wanted decoration."

 

Her husband at the time was offered a position in South Africa as the Professor of the Judaica Department and they subsequently left Israel for South Africa. They were placed in Johannesburg first and then relocated to Cape Town, Eris studied and received a degree in Psychology from the University of Cape Town. During this time, she separated from her husband and later met Jonathan Silke whom she married. It was Jonathan that convinced her to be an artist.

 

Louis and Charlotte Shachat of the esteemed Die Kunskamer Gallery in Cape Town, became Eris's art dealers. During this period, Silke exhibited widely and her work migrated into important private collections. During the 1980's she exhibited in solo shows at the Linda Goodman Gallery in Johannesburg, the Everard Reade Gallery in Cape Town and Die Kunskamer.

 

"My work then, was more controversial and more disturbing than right now." - Eris Silke
 

 

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